WARNING: This blog contains copious amounts of adult GAY material. If that's offensive to you, please leave now. All pix have been gleaned from the internets so, if you see a picture of yourself that you don't wish to have posted here, please leave a comment on the post and I will remove it with my apologies.

I REPEAT: If you see a picture of yourself that you don't wish to have posted here, please leave a comment on the post and I will remove it with my apologies.

Saturday, February 14, 2026

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Union artilleryman Samuel H. Decker (1813-1894) posing with his self-made prosthetic arms, 1867.

He stands as a remarkable example of resilience and ingenuity in the aftermath of the American Civil War. After losing both arms, Decker refused to surrender his independence. Instead, he designed and built his own mechanical prosthetic arms--an extraordinary achievement in an era when prosthetic technology was still primitive and largely uncomfortable.

His custom-built devices featured metal components, adjustable joints, and gripping mechanisms that allowed him to perform daily tasks with surprising functionality. At a time when many amputees depended heavily on caregivers, Decker's invention symbolized self-reliance and innovation born from necessity. His story high­lights how wounded veterans often became pioneers in early assistive technology, pushing forward advancements that would benefit future generations of amputees.

The Civil War created an unprecedented demand for prosthetic limbs, as it resulted in roughly 60,000 amputations among soldiers. This tragic scale accelerated both medical research and mechanical design, leading to significant improvements in artificial limb technology during the late 19th Century.

After the Civil War, prosthetic limb patents in the United States surged dramatically. Before 1861, only a handful existed. By 1870, dozens of new mechanical limb designs had been patented as inventors raced to improve mobility and comfort for veterans.

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Happy V.D. Everyone!


I'm back, and let me tell you,
it was tough. I couldn't blog, I couldn't
check email, I couldn't do research
on this and that.
I did, however, get caught up on
my reading. That was good.

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Wednesday, February 11, 2026

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My internet is down and might not get fixed until Friday afternoon. Please stand by.

Tuesday, February 10, 2026

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Cannon Beach, Oregon


Mount Cleveland, Alaska


Zoji La Pass, India

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Clementine Hunter

Born in the late 1880s, Clemen­tine Hunter spent most of her early life work­ing on a farm before moving to Mel­rose Plantation as a teen­ager. During the period of time she worked at Melrose, the home’s owner — Cammie Henry — hosted several artists on the grounds under the condition that the artists create or leave. One of the artists left his sup­plies at the home after his stay. These sup­plies were found by Clementine Hunter and famously used to create her first art piece. In 1955, Hunter was the first African-American artist to have a solo art show at a gallery in New Orleans and another at North­western State College (now University.) As an African-American, she was not allowed into the college gal­lery with white patrons; she had to be snuck in the back to see her own exhibition.

Hunter was a prolific painter who started in her 50s and eventually created more than 5,000 works of art literally leaving her legacy on every spare piece of flat surface avail­able. She painted scenes from the plantation world around her: hanging clothes to dry, funeral processionals and people in her community. Using both bright colors and the size and scale of objects in her paintings, she conveyed how she felt about the people in her community (being painted bigger meant being important). Because of the vast number of paintings and her unique painting style, her artwork plays an important role in under­stand­ing life in the Cane River region during the early- to mid-twentieth century. Although Hunter originally sold her artwork for as little as one dollar (or 25 cents to look through her gallery), her pieces often sell for top price today and have been featured in many prestigious art museums across the globe. Hunter passed in 1988 at age 100.






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